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And there I sat in my front room, being embraced in a perfume of everybody's lilacs and hawthorns and affectionate interest and moonlight, with a letter in my hand from the man whose two photographs and letters I used to keep locked up in my desk. Is it any wonder I tingled when he told me that he had never come back because he couldn't have me, and that now the minute he landed in England he was going to lay his heart at my feet? I added his colonial honours to his prostrate heart myself, and my own beat at the prospect. All the eight years faded away, and I was again back in the old garden down at Aunt Adeline's cottage saying good-bye, folded up in his arms. That's the way my memory put the scene to me, but the word "folded" made me remember that blue muslin dress again. I had promised to keep it and wear it for him when he came back—and I couldn't forget that the blue belt was just twenty-three inches and mine is—no, I won't write it. I had got that dress out of the old trunk not ten minutes after I had read the letter and measured it. "Are you speaking about the lunch room?" she asked in a pleasant contralto voice. "I can show you where it is, but you'll have to bring your lunch with you. There are gas stoves to cook on in the back room, and tables and chairs in the front one, if you're not too late to get a place." "Hush, he's coming," warned Patricia, turning pale in spite of her brave words. "Listen, he has begun." "Isn't it jolly—to be here in a real Academy of Fine Arts, just like all the famous artists when they were young and unknown? Doesn't it make you feel all excited and quivery, Norn?" asked Patricia, as she fitted her key into the narrow gray locker with an air of huge enjoyment. "I don't see how you can look so cool. You are as calm and refrigerated as a piece of the North Pole.".